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‘Why can’t a Tyagaraja kriti be played using a drum set?’

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Shashank Subramanyam, the Carnatic musician, was just nine months old when his family noticed that he was extremely responsive to music. By the time he was two-and-a-half, he could identify all the 72 melakarta ragas. His father, a musician himself, acknowledged his son’s interest and trained him. Music was taught as a language and, at the age of six, he was performing on stage. The artist, who was in the city to conduct a lecture-demonstration organised by SPICMACAY for students of PSG Institute of Management, wove both popular and classical numbers to explain the nuances of Carnatic music. Today’s generation has a rich exposure to different genres. It is both an advantage and a...

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